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Ways of overcoming the bourgeois society, which offers a "Paradise", in particular exposure to many seemed fairly ridiculous ploy, simple indulgence in certain instincts and whims, have nothing to do with the revolution and freedom in the true sense. On one of the ideas young girl undressing on the scene, said: "Well, I was exposed, but I do not feel more free from this." "You are here clothes off - screaming from the room - and the guys continue to die in Vietnam. Well, undress, fuck you all ... "
The fact that the "revolutionary" "Paradise" turned around demagogy, it became increasingly evident. Actually, the very idea of ​​the performance was such that would not allow him to repeat: it would either be realized in some attempts to revolutionary action - but this did not happen, or to discover its true nature - tickling the nerves "show" that quickly it happened. But then lost its meaning and all stages of the ritual. More than that, against a background of really serious and even tragic problems experienced by humanity, the hysterical screams of the desire to strip looked mockingly, burning money - an insult against the inhabitants of the ghetto, "pyramid of love" - ​​a fake true humanity, which was not, and the "flight" - a cheap trick. Live theater turned into a spicy dish, which is contested each other's impresario, and life went its own way. Life is full of problems unsolvable by extravagant antics, for the pleasure of seeing that it was necessary also to pay and very expensive - just the very same money, which then burned at the scene.

This crisis of the Living Theatre was also a prototype of an impending crisis of youth culture of protest in which he is so closely linked their fate. "The Sixties", with their storms, expression, ecstasy, the whole diversity of the youth counterculture, which was the living embodiment of this theater, exhausted, and died one of the first fireworks of the "cultural revolution", a former high-profile subject of such sensations. And took all the infantile-lightweight and screaming, so that took a disproportionately important role in the counterculture, and so, in philosophy and aesthetics of the living theater as her enlarged reflection - that has transformed the theater, and in many respects the culture of extravagance but generally harmless to the "system" show.
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